My 'Nonfiction Spy Thriller' titled: Agent Garbo: The Spy Who Fooled Hitler

Enjoy the first three chapters on the house while I finish the rest 😉 

I love you, W&D 🩶🤍  

Latest Film Noir: Dave

Chapter One: An Education in Lies

Juan Pujol García was born in Barcelona, Spain, on February 14, 1912, the third of four children of an educated and well-to-do Catalan family. The city his family called home was, in the early twentieth century, at war with itself, a mosaic of contradictions, a place of elegant, modern avenues built over the fault lines of ancient, violent grievances. It was the proud and industrious heart of Catalonia, a region that spoke its own language and held its own dreams of autonomy from the central authority of Madrid. The city’s new Eixample district, where the Pujol family lived, was a symbol of this forward-looking confidence—a clean grid of bourgeois apartment blocks designed to impose order on restless souls.

This was the Barcelona of Modernisme, the exuberant architectural style that had become a declaration of Catalan identity. The fantastical buildings of Antoni Gaudí were not just structures; they were monuments of defiance, physical manifestations of rebellion. This spirit thrived in places like Café Els Quatre Gats, a hub for intellectuals and artists such as Pablo Picasso. But for every elegant façade on the Passeig de Gràcia, there was a factory in the industrial suburbs churning out smoke and a slum like the Barri Xinès churning out revolutionaries. The city was a laboratory for every new and dangerous idea sweeping Europe, a place where the violent street battles between labor unions and employer-hired gunmen, known as pistolerismo, had been a fact of life for decades.

Anarchism, embodied by the powerful Confederación Nacional del Trabajo (CNT), wasn’t a fringe theory but a dominant force in the city’s life. For hundreds of thousands of Barcelonans, it was more than politics—it was a worldview: the government in Madrid was an illegitimate occupying force, the police were a gang of thugs, private property was a form of theft, and the Church was an instrument of oppression. The CNT advocated for anarcho-syndicalism, a new ideology that sought to replace the state entirely with a society run by worker-controlled collectives. Its black-and-red flags hung from balconies and factory gates, a symbol of its readiness to ignite a revolution at a moment’s notice. This was a direct and existential threat to a bourgeois family like the Pujols.

Somehow, in this volatile world, the Pujol family had carved out a life of reasoned comfort. Juan’s father, Joan Pujol, owned a successful dye factory, adding color and vibrancy to the region’s renowned textiles. A man of the nineteenth-century liberal tradition, he believed in progress, democracy, and a secular education. He held a deep contempt for all forms of fanaticism, seeing little difference between the rigid dogma of the Catholic Church and the violent absolutism of the rising political movements. In a choice that would later seem fitting, he named his son Juan after a hero in the popular play Don Juan Tenorio. The Pujol home on Carrer de Muntaner, managed by his mother, Ana García, was an island of this belief system. The dinner table was a forum for debate, the bookshelves brimmed with culture, and the four Pujol children were taught one enduring lesson: the life and conscience of an individual were more sacred than any ideology.

But Juan wasn't built for the world of industry and clear-cut debate his father envisioned. Even as a child, he stood apart, observing the world with a patient hyper-awareness that would define how he understood it. His social world was largely the one he shared with his three siblings. This wasn't the disposition of a lonely child, but of a deeply introverted one, a child more engaged with the inner workings of his own mind than with the boisterous games of others. While others played, he watched, noticing the unspoken hierarchies and silent alliances. During his lessons at the Valero School, his mind was elsewhere, deconstructing the small dramas of the classroom, filing away the tics and tells of his teachers and classmates. His academic performance was unremarkable because his real education was outside the curriculum. He was a student of human nature, a collector of small truths, a boy learning the difference between what people said and what they meant.

All too soon and without warning, the steady hand that had guided the Pujol family was gone. Juan’s father, Joan Pujol, died in 1931 from a severe stomach illness, just as the new Republic was born. Without its founder’s leadership, the family’s once-prosperous dye factory began to falter. The global depression that had begun in 1929 reached Spain, cutting off trade and deepening the country’s hardship. The comfortable world Juan had always known was crumbling, leaving him not only without his moral anchor but also adrift financially. For the first time, he was forced to navigate a world for which he was uniquely ill-equipped.

Juan’s ventures into the working world were a string of failures that, in retrospect, could be seen as a form of training. As a teenager, he worked in the office of a British-owned company, where he experienced the city’s contradictions daily. Inside was the rational world of commerce and order, while outside the streets seethed with opposing, revolutionary forces. His apprenticeship at a local hardware store ended over a broken clock. The owner claimed it was right twice a day. Juan disagreed—a broken machine, he said, was never right. The argument sealed his fate there. His true calling, he believed, was the cinema. He took over management of the Teatro Royal, a local picture palace. A popular form of entertainment during the era, these theaters were often used by anarchists and other political groups for passionate, sometimes violent rallies. In the flickering dark of a movie theater, he discovered a world that rewarded illusion. For the first time, his unique talents found an outlet. He wasn’t merely showing films; he was selling fantasies. He learned the art of promotion and publicity, how to sell a story before the customer even walked in the door. He was studying the mechanics of deception on a grand scale. The business failed, but the education was priceless.

In his final attempt at a conventional life, Juan enrolled in the Royal Poultry School in the coastal town of Arenys de Mar. He threw himself into a world of cycles, growth, and tangible results. He would be a chicken farmer. While he was there, the school faced a mysterious plague that was killing the chickens, and none of the instructors could determine the cause. Juan, rather than studying the birds themselves, observed their environment. He noticed the lizards were attracted to the chicken feed, and that the chickens, in turn, were eating the lizards. He hypothesized the lizards were toxic to the fowl. He built a small, lizard-proof fence around the feeding troughs, and the deaths stopped overnight. It was an early sign of a mind wired to solve a problem by looking where others did not.

His dreams of poultry farming officially ended in the summer of 1936 when he was forced into service with a Republican unit. In the chaos of the revolution that had taken over Barcelona, militias went door-to-door and gathered up any able-bodied men they could find. Juan's agricultural experience made him an asset. He was put in charge of a small dairy farm that was vital for supplying milk. He worked hard to make it productive, only to see his efforts undermined by the farm’s political committee, who cared more about imposing a new social order than feeding the people. The demands of the conflict eventually reassigned him to a more dangerous post in a cavalry unit. The Republican army was a confusing mix of different factions, each with its own uniforms, flags, and command structures, making discipline difficult and cooperation rare. He was supposed to fight for a cause he no longer recognized in an army that was often little more than an armed mob. Each day brought a lesson in cruelty and incompetence in the service of an idea.

The war had expanded beyond Spain’s borders, becoming a testing ground for the greater conflict to come. Adolf Hitler’s Germany dispatched the Condor Legion—a Luftwaffe expeditionary force of bombers, fighters, and support personnel—to aid Franco. Under commanders like Wolfram von Richthofen, they used Spain’s towns and cities to practice the tactics of Blitzkrieg. The German dive bombers that would later devastate Warsaw and London first honed their techniques over Guernica and Durango. From the south, Mussolini’s Italy dispatched the Corpo Truppe Volontarie, nearly 50,000 troops in all, to reinforce the Nationalists. Together, they gave Franco not just allies, but a preview of the machinery that would soon engulf Europe.

The Republic, by contrast, stood largely alone. The democracies of Britain and France championed a policy of non-intervention. Formalized through a London-based committee, this policy became a cynical farce, effectively imposing an embargo on the internationally recognized Republican government while turning a blind eye to the stream of aid flowing to Franco from Germany and Italy. Still, the Republic drew thousands of volunteers to the International Brigades—anti-fascists from more than fifty countries, including 2,800 Americans of the Lincoln Battalion who crossed the Atlantic in defiance of U.S. neutrality laws.

After his first taste of service in a Republican cavalry unit in 1938, Juan deserted, disgusted by what he had seen. He went into hiding in Barcelona at the home of his then-girlfriend’s family, but a city-wide roundup of draft dodgers soon exposed him. He was arrested and held for a week in a makeshift prison inside a former convent. The Republican army, desperate for manpower, chose not to execute him for desertion. They handed him a new uniform and forced him back into service. His new posting was a death sentence: a front-line unit tasked with clearing minefields. Escape was the only option, but doing so required an official leave pass, a document impossible for a man in his position to obtain. It was here that his unique mind, the mind of an observer, came into play. He couldn't acquire a pass, so he would have to create one. The penalty for forgery, like desertion, was death.

Relying on his sharp memory, he recalled the design of other soldiers’ passes. He visualized the layout, the required signatures, and the most crucial detail: the official purple-inked stamp. He had no access to such a stamp, but he had found a small indelible pencil whose violet ink turned permanent when wet. In secret, he spent hours perfecting the stamp’s intricate design, drawing it freehand again and again until it was convincing.

The document alone wasn't enough. He knew the crude counterfeit wouldn't withstand close scrutiny, so he made sure it didn't receive any. Approaching the sentry post, he presented the document with an unshakable, almost bored confidence. Before the guard could examine it, Juan asked for a light for his cigarette, complained about the food, anything to divert attention. Disarmed by the performance, the guard gave the document a cursory glance, stamped it, and waved him through. In that moment, Juan learned more than how to forge a document. He learned how to be invisible in plain sight, how to lie with his entire being, and how to manipulate the very systems designed to control him. Even the strictest bureaucracy had cracks, even an army at war, and a convincing performance was the perfect way to slip through them.

In a desperate gamble, Juan defected to the Nationalist side, discovering not salvation but a more organized form of tyranny. The chaos of the Republic was replaced by the cold, monolithic cruelty of fascism. This wasn't the random terror of the mob, but the bureaucratic terror of lists and firing squads. After seizing a town, Nationalist forces carried out methodical purges, executing thousands of teachers, union leaders, and intellectuals, often relying on lists from local sympathizers. As a Catalan, Juan faced a regime determined to erase his family's identity, banning his native language in schools and even on tombstones. He had to learn a new performance. He pretended to have an intense piety, attending mass and offering the fascist salute—the famous gesture the Nazis would borrow from Mussolini's Italy. He wore the mask of a loyal Nationalist while his mind was a cold, detached instrument, analyzing the mechanics of this new totalitarian machine.

When the war ended in 1939, Franco and his Nationalists had won, Spain lay in ruins, and Juan was the graduate of a brutal education. He had seen the true nature of the twentieth century’s new ideological movements from the inside, and he had come to a simple, damning conclusion: they were the same. Both fascism and communism were engines of lies, fueled by hate, and built upon the destruction of the individual. This wasn't a lesson from his father’s politics. It was a truth he had paid for with three years of his life. Juan no longer had any use for ideologies or political parties. His only conviction would be for liberty and basic human dignity.